Onnanoko ni Naritai
I wanna be a girl / 女の子になりたい
Genres: Crossdressing, Music | |
Themes: Crossdressing, Music | |
Producers: A-Sketch | |
Rating: 7.35 / 10 | |
Popularity: #12858 | |
Users Listed: 1,626 | |
Users Scored: 897 | |
NSFW: No | |
Last Updated: 09/03/2023 | |
Aired: October 18, 2019 (Fall) | |
Type: music | |
Source: original | |
Age Rating: G | |
Episodes: 1 |
Synopsis:
This short animation explores themes of identity and longing, presented through a fantastical lens. The story centers on a young man grappling with a deep-seated desire for transformation, yearning to shed his current existence and embrace a life defined by traditionally feminine characteristics. Set against a subtly dreamlike backdrop, the animation follows his journey as he attempts to realize this personal metamorphosis, drawing parallels to classic fairytale narratives.
The experience offers a quiet contemplation on self-perception and societal expectations surrounding gender roles. The animation's gentle pacing and evocative visuals contribute to a wistful atmosphere, inviting viewers to consider the complexities of individual desires and the pursuit of personal fulfillment, even when venturing into unconventional territory. It's a delicate portrayal of internal conflict and the yearning for a world perceived as more appealing.
You May Also Like:
Staff:
- Mafumafu (Theme Song Performance, Theme Song Lyrics, Theme Song Composition)
- Tanaka, Hidekazu (Theme Song Composition, Theme Song Arrangement)
Reviews:
-
User EmiliaHoarfrost (Score: 10/10):
Story: 8. For its medium, Onnanoko ni Naritai does splendidly as a music video. In only a few lines and images, we are immersed in a story that might resound with a few people out there. I certainly was one of them. Its subject, about the desired transgression of assigned identity, is one that will overreach beyond simple transexuality. The subject itself is a bit unique, and is handled in a lighthearted fashion that will contrast with the common dramatization surrounding transexuality. Maybe that the sum of suicides originating from transexuality is a sufficient reason for such dramatization. I find it worthy to be reminded Onnanokoni Naritai expands on the traditional European tale of Cinderella, fact which may deepen the narrativity of the lyrics overall: it could be a reminiscence to someone's youth, at a time they weren't aware of social expectations and where they used to dream.nnArt: 10.nArt is both objective and subjective. It is objective in the fact that it inscribes itself in a tradition, a context, with conventions. It is subjective as to how one might individually relate with a specific composition. In Onnanoko ni Naritai, the palette is mostly pinkish and pastel. This translates well a lightheartedness that is found in the lyrics: the boy's transexual fantasy lasts only for a bit. The drawings are well realized, and both characters (the male, and him as a girl) are cute. I want to pinpoint the attention given to characteristics of feminity in both the lyrics and animation, especially with the frilled dress part.nnSound: 9.nThe rhythm is energetic, especially with as many percussions all throughout the song. Different instruments are in use. It feels like there are at times two singers, of different genders: a masculine voice and a feminine one. This goes hand in hand with the lyrics' theme, therefore adding an oral reality and intuition to the music video's message. However, I desire to criticize the fact that at some point, the female voice went so high it hurt my ears a bit. Other than that, the sound was perfect when put in perspective with the work's message.nnCharacter: 9.nCharacterization is the main point of the narration. And my favorite parts of characterization as a whole are all addressed in the brevity of four minutes. Naturally I would rate it high. Psychology and fantasms, with transexuality as lighthearted. Physiology and identity, with the male's voice as he grew up becoming a perceived problem of his identity. Female idealization, with the references to Cinderella and magical girls. Even the character designs had my heart, because I for sure love frilled dresses, for example on gothic lolitas.nnOverall: 10.nI loved every second of it, for two reasons. First is that I found myself in the whole work, as far as lyrics and graphics are concerned. The treatment of a gender issue was neither offensive nor dramatizing nor normative. On an identitary plane, I resounded with this work. nThe second is that artistically, I consider this realization an ideal, able to…